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Days Come and Go, by Hemley Boum

Trigger warnings for brief depictions of domestic violence and rape.

Some families seem cursed. Whether you believe that it’s divine retribution or a supernatural haunting or epigenetics, some people just seem doomed to follow the same path as their ancestors. The reason we read about families like the one depicted in Hemley Boum’s Days Come and Go and other literary family sagas, I think, is in the hope that one of the family’s scions will find a way to break the curse. The women of the sprawling Cameroonian family at the heart of Days Come and Go seem to be cursed in love. Three generations in a row, we see women get caught up in relationships at a critical moment in their young lives. The early promises of those relationships—love, belonging, social status, financial security, parenthood—are broken early, leaving Anna, Abi, and Tina to rediscover their solitary selves. Days Come and Go is skillfully translated by Nchanji Njamnsi.

Days Come and Go is told in roughly chronological order, after some present-day sections that help establish the relationships between our three narrators. As far as I can tell, the novel spans from the 1950s to 2015. When we first meet her, Anna, the matriarch, is dying of cancer. Her daughter, Abi, is torn between caring for Anna and dealing with the aftermath of a nasty divorce. One of Anna’s nurses tells Abi that Anna has been talking about her past, suggesting that Abi listen in. Anna’s revelations take us back to her girlhood in a remote Cameroonian village. She tells us how a missionary smoothed the way for Anna to get a French education: all Anna has to give up is her non-European name and work her fingers to the bone to get it. She slowly loses contact with the woman who raised her and reshapes herself into the good subject that the Europeans want her to be. Around the time Cameroon becomes independent, in 1960, Anna means her husband in a whirlwind of youthful idealism and rebelliousness, only to find herself trapped by pregnancy and in-laws who despise her.

When the novel comes back around to Abi’s story, we find her in the last days of her marriage. Her husband discovers that Abi has been having a long-term affair. The betrayal brings out a frightening, ugly side to Abi’s husband and rips their small family into pieces. Just like with her mother Anna, Abi has to confront the realization that people only really show you who they are when they’re under pressure. It might be the pressure to conform to racial prejudices or the dictates of a mother-in-law or humiliation.

The last narrator’s story is the most harrowing. Tina is not a biological member of Anna’s family but, as an orphan, she was informally adopted into Anna’s household. When her dearest friend becomes religious, Tina is so lonely that she joins the local mosque, too. It’s not until far too late that Tina and her friend realize that they’ve been recruited into Boko Haram. By then, it’s impossible for them to escape with their lives. Thankfully, Anna is able to use her husband’s contacts in the Cameroonian government and military to help Tina escape.

The details in the women’s stories vary but they all share the same rough arc. (There are some hints that Tina might be the one to break the family curse.) They all dive deeply into relationships with people they don’t really know. Anna’s husband had a controlling family and a taste for the kind of finer things that only lots of money can buy. Abi’s husband saw her as a possession; he was shockingly misogynist for a man who professed to be a lovely family man. Tina’s friend nursed a deep sense of rejection that led her to a fundamentalist group of terrorists that later killed her.

What are we to make of these stories? Should we stay away from all-encompassing relationships? Do we have to give up on love and kinship and friendship? In spite of all the heartache and pain the women experience in Days Come and Go, I think that the narrators in this story wouldn’t say that we have to give up any of these relationships. Instead, I think they’d say: keep your eyes open. I think they’d also say: you don’t need another person to make you whole. And I think that, in the end, they would say: we are stronger and more resilient than we realize.

The lake in Parcour vita, Douala, Cameroon. Much of the story takes place in Douala. (Image via Wikicommons)

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